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THAT DISNEY GLAMPLE IS HASHED : 11 NEW AUDIO TERMS FOR 2021
"Mojo." "Warmth." "Punchy." "Forward." Few professions trade in the glut of buzzwords, idioms and analogies quite like audio production. These pieces of hazy phraseology serve not only to describe the seemingly indescribable, but force others to nod along knowingly, lest you discover they have no idea what the hell you're talking about.
But this year, EverythingRecording is turning the tables. There's no better buzzword than the one you create yourself and then unleash upon...
LIKE… REALLY, REALLY BIG: ARTURIA V COLLECTION 8
In Douglas Adams' "Hitchhiker's Guide To The Galaxy", the titular guidebook explains the endless expanse of outer space as follows: "Space is big. You just won't believe how vastly, hugely, mind-bogglingly big it is." For the DAW-based keyboard and synthesizer enthusiast, Arturia's V Collection, now in it's 8th edition, represents a collection of instruments that seeks to answer just how endless a concept like "endless" is.
V Collection 8 is, put another way, a...
MIX TEMPLATES: THE LAST TEMPTATION
As I edit this, the online engineer cognoscenti are prattling on about "Ocean Eyes" by Billie Eilish being available as a Logic Pro template. I thought it might be a good time to have an unwanted, unwelcome "expectations management" session for those who think 10 million SoundCloud plays are just a point and click away.
STATING THE OB(li)VIOUS
People who produce and engineer music are competitive. Yes, we all like to speak in communal platitudes...
A Fireside Chat With Howard Benson and Chris Lord-Alge
Sure, we can go on all day about STLTones Tonality. In fact, we just did. But we figured, wouldn’t it be better to talk to the engineering ears and mixing minds behind the sounds? Chris Lord-Alge and Howard Benson took some time to sit down with us and give their take.
Just give us a little background on how Tonality started?
HOWARD: Chris has been in the plug-in business a very long time, and I...
2020 NAMM Wrapup
After a whirlwind weekend in Anaheim, CA the ER.com crew are back to report on not only what we saw at this year’s four-day bacchanal, but what we didn’t. (Bryan promised us Magic Mountain if we were good - sadly, we were not. Blame the $2.99 Mango Bahama Blast Margaritas at the Applebee’s across the street from the Comfort Inn)
Of course there was the usual smorgasbord of the newest, hottest, latest, bigger-faster-louderest gizmos...
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THAT DISNEY GLAMPLE IS HASHED : 11 NEW AUDIO TERMS FOR 2021
"Mojo." "Warmth." "Punchy." "Forward." Few professions trade in the glut of buzzwords, idioms and analogies quite like audio production. These pieces of hazy phraseology serve not only to describe the seemingly indescribable, but force others to nod along knowingly, lest you discover they have no idea what the hell you're talking about.
But this year, EverythingRecording is turning the tables. There's no better buzzword than the one you create yourself and then unleash upon...
Sam Thomas – The Making of the Kontakt/NKS The Sound of Love Lost Virtual Instrument
Instead of doing a review for this post, I decided that the Virtual Instrument "The Sound of Love Lost" was unique enough on its own to warrant an article on the making of. Also, instead of me trying to describe it, why not let the creator himself explain. Today we have Sam Thomas showcasing how he made this very innovative and fresh-sounding Kontakt/NKS Virtual Instrument.
What on Earth is "The Sound" of Love Lost?
I...
STL TONES TONEHUB: A TONE-MONGER’S PARADISE
A few months back, we did a fairly comprehensive review of STL Tones' "Tonality" - which now offers a layer of Chris Lord-Alge-ness with a selection of his own "pre-mixed" presets. Though we universally praised both its ease of use and staggeringly solid emulation, a frequent remark was that without more granular tone-tweaks like mic placement and a more robust effect assortment, some might find themselves left wanting. And for those people, they'd...
THE HYPE MACHINE: STL TONES CONTROLHUB
It's always a good day here at EverythingRecording when we hear from our friends over at STL Tones. As somebody who records a lot of guitars - not just for clients but my own projects - their ToneHub guitar amp modeling plug-in is the de facto choice. Not just for 'let's use a plug-in'-type situations, either.
In the three or four years since ToneHub dropped, the folks at STL Tones have been steadily producing...
GOD COMPLEX: CRADLE’S THE GOD PARTICLE
Though a little light on control, Cradle's The God Particle is big on sound. Does TGP deserve a spot in your plug-in folder? B Church puts aside his bias towards celebrity engineer plugins and black box solutions to give you his take.
C'MON, WE ALL DO IT
I liken plug-ins like the Waves' "One Knob" series or any similar "black box"-type processors to online adult content. Though you'll never meet anyone who's an outspoken enthusiast,...
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Instead of doing a review for this post, I decided that the Virtual Instrument "The Sound of Love Lost" was unique enough on its...
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Though a little light on control, Cradle's The God Particle is big on sound. Does TGP deserve a spot in your plug-in folder? B...
NAMM 2022: ELECTRONIC BOOGALOO
We'll be honest here, virtual tradeshows are not our thing. That's why we chose to sit out our annual NAMM wrapup for the past...
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Hailing from the land of Bosch, BMW, and the Bavarian Pretzel, Tegeler Audio Manufaktur are steadily winning hearts, minds, and rack space. B. Church...
THE HYPE MACHINE: STL TONES CONTROLHUB
It's always a good day here at EverythingRecording when we hear from our friends over at STL Tones. As somebody who records a lot...
HERITAGE AUDIO: THE SECRET OF MY SUCCESSOR.
There are GearSlutz - and then there are SpankSkankz. B. Church's NYC home studio plays home to over a dozen analog compressors. For his...
Avid’s Pro Tools “Re-Tool” Explained in Plain English
If the new restructuring of Pro Tools has you scratching your head, don't worry, Everything Recording has you covered. We will break down each...
