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MIX TEMPLATES: THE LAST TEMPTATION
As I edit this, the online engineer cognoscenti are prattling on about "Ocean Eyes" by Billie Eilish being available as a Logic Pro template. I thought it might be a good time to have an unwanted, unwelcome "expectations management" session for those who think 10 million SoundCloud plays are just a point and click away.
STATING THE OB(li)VIOUS
People who produce and engineer music are competitive. Yes, we all like to speak in communal platitudes...
A Fireside Chat With Howard Benson and Chris Lord-Alge
Sure, we can go on all day about STLTones Tonality. In fact, we just did. But we figured, wouldn’t it be better to talk to the engineering ears and mixing minds behind the sounds? Chris Lord-Alge and Howard Benson took some time to sit down with us and give their take.
Just give us a little background on how Tonality started?
HOWARD: Chris has been in the plug-in business a very long time, and I...
Demystifying Acoustics with Jeff Hedback – Part 3
This is Part 3 of a 4-part series. To start from the beginning, visit Part 1.
When we left off in Part 2, we built the space, determined the mix position, and measured the room for proper treatment. We also ended with a bit of a cliffhanger on how we were going to treat the room. We had an initial plan but circled back due to a few factors. In part 3, we look...
PREAMPS: A NEOPHYTE’S GUIDE
Today, I'd like to introduce our newest contributor to Everything Recording. I was browsing the Reddit r/AudioEngineering sub and saw an incredible post by B. Church. He posted a very concise writeup on something we all get a little too caught up in - Preamps. While this website deals in announcing the latest and greatest new piece of gear, sometimes we all need to recenter our perspective. I reached out to B. Church and...
TUBES OF GLUE: THE TEGELER VTC
Hailing from the land of Bosch, BMW, and the Bavarian Pretzel, Tegeler Audio Manufaktur are steadily winning hearts, minds, and rack space. B. Church patches in Tegeler's OG: The VTC.
COMPRESSORS, COMPRESSORS EVERYWHERE
It's weird, we hadn't reviewed a hardware compressor in a while and then, seemingly out of nowhere, a month doesn't go by where I'm not wiring up a new box of chips, bulbs, and wires to fawn over. You'd think I'd be...
Reviews
Featured Posts
GOD COMPLEX: CRADLE’S THE GOD PARTICLE
Though a little light on control, Cradle's The God Particle is big on sound. Does TGP deserve a spot in your plug-in folder? B Church puts aside his bias towards celebrity engineer plugins and black box solutions to give you his take.
C'MON, WE ALL DO IT
I liken plug-ins like the Waves' "One Knob" series or any similar "black box"-type processors to online adult content. Though you'll never meet anyone who's an outspoken enthusiast,...
Sam Thomas – The Making of the Kontakt/NKS The Sound of Love Lost Virtual Instrument
Instead of doing a review for this post, I decided that the Virtual Instrument "The Sound of Love Lost" was unique enough on its own to warrant an article on the making of. Also, instead of me trying to describe it, why not let the creator himself explain. Today we have Sam Thomas showcasing how he made this very innovative and fresh-sounding Kontakt/NKS Virtual Instrument.
What on Earth is "The Sound" of Love Lost?
I...
BEAUTIFUL FREAKS: FREAKSHOW INDUSTRIES PLUG-INS
THE FREAKS ARE ALRIGHT
I know I’ve been somewhat outspoken on this at times, but I can get a little bored with the miasma in the world of plug-ins. Oh, a new 1176 limiter? Much excite! Oh, but wait - NO! There's a fifth “ratio” button and a variable attack time?!?! Excuse me while I mop up all this liquid excitement that’s pooled up around my chair.
That’s why, in this redundant world of clones...
Congrats to Jeff Hedback for the Cover of Mix Magazine
While Jeff has been in nine other issues of Mix Magazine (and every single "Class of" since 2013), one of Jeff's TWO "Class of" designs finally (and deservedly) made the cover. Yes, you heard me right. Jeff has TWO designs in this year's "Class of" features. The article can be found HERE.
We are proud to have an ongoing series with Jeff and want to offer him the sincerest congratulations! Although Jeff has some...
What I Learned from F. Reid Shippen
“There are no mixing rock stars.”
This sentence resonates an attitude that is slowly falling by the wayside amid a vast landscape of social media and reality TV. It seems that everyone nowadays is performing to whatever crowd of friends, followers, and strangers… trying to be noticed and become the next big thing. Although this attitude is needed in most fields of the entertainment world, being an audio engineer requires a contradictory outlook. This...
LATEST ARTICLES
MY WAVEFORMS ARE WEAPONS: THE AUDIOSCAPE D-COMP
"Oh my God, not another one." - Mrs. B Church
That's the thing about leaving the big studios and setting up shop in a converted...
Review: ProtoArc EC100
What's the most overlooked, but important person piece of gear in the studio? No, it's not that bloated list of software synths and plugins...
Sam Thomas – The Making of the Kontakt/NKS The Sound of Love Lost Virtual...
Instead of doing a review for this post, I decided that the Virtual Instrument "The Sound of Love Lost" was unique enough on its...
THE REAL F-BOMB: THE FLOCK AUDIO PATCH
As you may suspect, reviewing gear does have some pitfalls – a handful of drawbacks but usually your run-of-the-mill "good problems". The latter presents...
GOD COMPLEX: CRADLE’S THE GOD PARTICLE
Though a little light on control, Cradle's The God Particle is big on sound. Does TGP deserve a spot in your plug-in folder? B...
NAMM 2022: ELECTRONIC BOOGALOO
We'll be honest here, virtual tradeshows are not our thing. That's why we chose to sit out our annual NAMM wrapup for the past...
TUBES OF GLUE: THE TEGELER VTC
Hailing from the land of Bosch, BMW, and the Bavarian Pretzel, Tegeler Audio Manufaktur are steadily winning hearts, minds, and rack space. B. Church...
THE HYPE MACHINE: STL TONES CONTROLHUB
It's always a good day here at EverythingRecording when we hear from our friends over at STL Tones. As somebody who records a lot...
HERITAGE AUDIO: THE SECRET OF MY SUCCESSOR.
There are GearSlutz - and then there are SpankSkankz. B. Church's NYC home studio plays home to over a dozen analog compressors. For his...
Avid’s Pro Tools “Re-Tool” Explained in Plain English
If the new restructuring of Pro Tools has you scratching your head, don't worry, Everything Recording has you covered. We will break down each...





















